Maria Rodríguez Soto: Career Momentum in Film and Theater

Maria Rodríguez Soto is currently enjoying a moment of professional success, characterized by a diverse range of roles in both cinema and theater. At 39 years old, the Barcelona native is actively involved in several high-profile productions. Her most immediate project is the film Frontera, which is currently in theaters. This film tells a true story of individuals assisting Jews in entering Spain during World War II.

Beyond her work in film, Rodriguez Soto is expanding her repertoire with television and stage work. She has completed filming for the series Matar a un oso for Movistar+, a production centered on the death of the bear Cachou. In the theater sector, she is currently rehearsing for La reina lloba at the prestigious Teatre Nacional de Catalunya (TNC). Furthermore, she has finalized plans to adapt Eva Baltasar's novel Permagel for the stage. This busy schedule is balanced with her personal life, specifically her role as a mother to her eight-year-old daughter, Lupe, who notably served as the protagonist in the film Els dies que vindran.

Frontera serves as the centerpiece of Maria Rodríguez Soto's current cinematic work. The film, which features Miki Esparbé alongside Soto, dramatizes the real-life efforts of people who helped Jewish refugees cross the border into Spain during the Second World War. The movie is currently enjoying a run in theaters, bringing historical events to a contemporary audience.

In addition to her work on the big screen, Soto has recently wrapped production on a new television series. The project, titled Matar a un oso, is set to air on the streaming platform Movistar+. The narrative of the series focuses on the circumstances surrounding the death of the bear Cachou. These two visual media projects highlight her versatility in handling different formats and genres.

The stage remains a vital part of Maria Rodríguez Soto's artistic output. She is currently in the rehearsal process for La reina lloba. This production is being staged at the Teatre Nacional de Catalunya (TNC) in Barcelona, a key institution in the region's cultural scene.

Soto is also looking toward future theatrical endeavors with the adaptation of a notable literary work. She has confirmed that she has a clear vision for the stage adaptation of the novel Permagel, written by Eva Baltasar. This project represents a collaboration between the literary and performing arts worlds.

While her professional life is flourishing, Rodríguez Soto remains grounded in her personal life, specifically her role as a mother. She is currently buying gifts for her daughter, Lupe, who has recently turned eight years old. Lupe's presence in her mother's career is not new; she was the central focus of the film Els dies que vindran.

The film Els dies que vindran is unique in that it followed the actress's real-life pregnancy. This project is viewed as a significant turning point, or punto de inflexión, in Rodriguez Soto's career. It bridged the gap between her private reality and her public artistic expression, marking a distinct era in her professional trajectory.