Key Facts
- ✓ The protagonist of Juan Tallón's novel 'Mil cosas' is named Travis.
- ✓ The novel is published by Anagrama.
- ✓ Removing shoes is described as the 'top one' feeling of being at home.
- ✓ Showering is identified as the 'top two' domestic experience.
- ✓ The feeling of home is associated with objects that represent 'small conquests'.
Quick Summary
The feeling of being truly at home is often triggered by specific domestic rituals, most notably the act of removing shoes. This physical transition marks the end of the day's travels and the beginning of comfort and relaxation. The sensation of taking off shoes represents a psychological shift, signaling that there is no more world to traverse and that what follows will be comfortable and secure.
Further domestic rituals enhance this sense of sanctuary. Showering is described as a secondary top experience, serving as a form of healing for the small accidents and wounds of the day. The post-shower experience involves an unconscious appreciation of objects accumulated over time, which represent small conquests. This creates a unique intimacy where the living space feels designed by and for the individual, reflecting their identity and providing a sense of profound personal ownership.
The Ritual of Arrival
The transition from the outside world to the domestic sphere is often marked by a specific physical act. For many, this is the moment of removing shoes. This simple action serves as a powerful signal that the day's obligations have ended. It represents a shift from movement to stillness, from public exposure to private comfort.
The act of removing shoes carries a deep psychological weight. It signifies that there is no longer a need to travel or navigate the world. The sensation is one of finality and relief. As described in the narrative, this is the moment when one truly feels "en casa," or at home. It is the top indicator that the race has ended and that the remainder of the evening will be defined by ease and relaxation.
"“no considera que está en casa, con todo el placer que eso produce, hasta que no se ha quitado los zapatos”"
— Travis, Protagonist of Mil cosas
Secondary Sanctuaries
While removing shoes is the primary signal of home, other rituals reinforce this feeling. The act of showering is identified as the second most significant domestic experience. It is not merely a matter of hygiene but a form of cura, or cure. The stream of hot water is likened to washing away the small injuries and accidents accumulated throughout the day.
This cleansing ritual allows for a moment of stillness and renewal. Emerging from the shower, wrapped in a towel, the individual engages in an unconscious survey of their surroundings. This passive observation of the home's contents reinforces the sense of belonging and peace that defines the domestic experience.
The Architecture of Self
A home is more than just a structure; it is a collection of memories and achievements. The objects within a living space are described as "small conquests" that have been deposited over time. Each item contributes to a world that feels personally designed, creating an environment that speaks to and reflects the inhabitant.
This creates a unique form of intimate joy. The living space becomes a mirror of the self, a curated environment that feels entirely personal. The comfort derived from this is not just physical but deeply emotional, stemming from the knowledge that the space is truly one's own.
Conclusion
The experience of home is built upon layers of small, meaningful rituals. From the initial act of removing shoes to the healing properties of a shower, these actions define the boundary between the public and private self. The ultimate reward is a profound sense of comfort and ownership, where the living space becomes a reflection of the individual's journey and identity.
"“es como lavarse las heridas del día, los pequeños accidentes. No es una cuestión de higiene, es una cura”"
— Narrative on Showering

