Periferia Cimarronas Theater to Close in 2026

The theater cooperative Periferia Cimarronas is scheduled to permanently close in early 2026. This decision follows a period of severe financial strain caused by a lack of public attendance and the loss of vital subsidies.

The group, which is the driving force behind the production 'Esas latinas' by Teatro Sin Papeles, has been the subject of controversy, including accusations of catalanofobia. The combination of reduced public support and financial penalties has made continued operations impossible for the cooperative.

The cooperative Periferia Cimarronas has confirmed that it will stop opening its curtains in 2026. The closure is scheduled to take effect within a month of the announcement, marking a sudden end to the group's activities.

Financial insolvency is the primary driver behind the shutdown. The cooperative cited two specific reasons for its inability to continue:

• A persistent lack of public attendance at their productions
• The loss of public subsidies that previously sustained their operations

These factors created a financial deficit that the cooperative could not overcome, forcing the decision to cease all theatrical activities.

Periferia Cimarronas is best known as the impetus behind the play 'Esas latinas', a production by the group Teatro Sin Papeles. The work has not been without significant scrutiny and has placed the cooperative at the center of a cultural debate.

The production has been accused of catalanofobia. These accusations have surrounded the group's work, potentially influencing public perception and the allocation of cultural funding. The controversy highlights the intersection of artistic expression and political sensitivity within the region's cultural sector.

The disappearance of Periferia Cimarronas represents a shift in the local theater scene. The cooperative was a distinct voice, bringing specific narratives to the stage that generated significant discourse, both positive and negative.

The loss of this venue and production group removes a specific perspective from the cultural ecosystem. It also serves as a case study for the fragility of independent theater groups that rely heavily on public subsidies and consistent audience turnout, particularly when operating within contentious political or social climates.

The impending closure of Periferia Cimarronas in 2026 is a direct result of economic realities. The dual pressures of low attendance and withdrawn subsidies proved insurmountable for the cooperative.

While the group leaves behind a legacy marked by the controversial production 'Esas latinas', their exit underscores the challenges faced by cultural institutions navigating public funding and audience engagement. The theater will go dark within a month, concluding a chapter of intense cultural activity and debate.