Key Facts
- ✓ Marta Hazas studied Journalism as a safety net before committing fully to her acting aspirations.
- ✓ Her prominent television roles in the series 'Velvet' and 'El Internado' established her as a recognized face in Spanish entertainment.
- ✓ Beyond acting, she has expanded her career to include producing her own theatrical works in recent years.
- ✓ Her latest production is currently premiering at the historic Teatro Maravillas in Madrid.
- ✓ Hazas has been vocal about the significant financial pressures facing the contemporary theater scene.
From Screen to Stage
The journey from television stardom to theatrical production is one few artists navigate successfully. Marta Hazas has made that transition, leveraging her on-screen recognition to champion the stage. Best known for her compelling performances in the hit series Velvet and El Internado, she has become a familiar and respected presence in Spanish households.
Now, she is channeling her creative energy into a new venture, premiering her latest theatrical production at the iconic Teatro Maravillas in Madrid. This move marks a significant evolution in her career, shifting focus from interpreting scripts to bringing entire productions to life from behind the scenes.
A Pragmatic Beginning
Like many aspiring performers, Hazas approached her future with a practical mindset. Understanding the unpredictable nature of the entertainment industry, she pursued a degree in Journalism. This was not a lack of faith in her talent, but a sensible contingency plan in case her dreams of acting did not materialize.
Fortunately, her dedication paid off, and she never had to rely on her backup plan. Her career blossomed, leading to major roles that defined a generation of Spanish television. This foundation of success has now given her the platform and credibility to produce her own work, a testament to her enduring presence in the cultural landscape.
"Con lo que cuesta el teatro hoy solo cenas en una franquicia de comida rápida"
— Marta Hazas, Actress and Producer
The Economics of Art
Stepping into the producer's role has given Hazas a unique perspective on the industry's financial mechanics. She speaks candidly about the immense economic pressures facing modern theater, a reality that often remains hidden from the audience. Her observations cut straight to the heart of the matter, highlighting the stark contrast between artistic passion and financial viability.
"Con lo que cuesta el teatro hoy solo cenas en una franquicia de comida rápida"
This statement encapsulates the challenging economic climate for theatrical productions. It reflects a broader conversation about the cost of live performance and the value placed on cultural experiences. For artists like Hazas, who are both creating and funding the work, these financial hurdles are a daily reality.
Madrid's Cultural Pulse
The choice of Teatro Maravillas as the venue for her new work is significant. This historic Madrid theater is a cornerstone of the city's vibrant and diverse cultural scene. Premiering a production here places Hazas's work directly within the heart of the capital's artistic community.
Her presence at such a respected venue underscores her commitment to the stage. It signals a move beyond her television fame, positioning her as a serious contributor to the city's live arts offerings. This production is not just a new project; it is a statement of intent and a deep investment in the future of Madrid's theater.
A Multifaceted Career
Marta Hazas exemplifies the modern artist: versatile, pragmatic, and deeply committed to her craft. Her evolution from a television actress to a theater producer demonstrates a remarkable capacity for growth and a profound respect for the performing arts. Her journey from a cautious student with a degree in Journalism to a confident producer premiering work at a major Madrid theater is truly inspiring.
Her story is a powerful reminder of the dedication required to sustain a creative career. As she continues to produce and perform, her voice will undoubtedly remain an important one in discussions about art, culture, and the economics that bind them together.










