Key Facts
- ✓ Lucía Lijtmaer appeared as the guest on the 'Qué estás leyendo' podcast, hosted by Berna González Harbour.
- ✓ The interview focused on her view of the current era as a historical misalignment, or 'desfase'.
- ✓ Lijtmaer is the author of 'Ofendiditos' and 'Cauterio' and co-hosts the 'Deforme semanal' podcast with Isa Calderón.
- ✓ The discussion was presented in a video format, offering a visual component to the literary conversation.
- ✓ Lijtmaer's literary style is characterized by her as being 'desencajada' or disjointed.
A Moment of Misalignment
The author and podcaster Lucía Lijtmaer joined Berna González Harbour for a conversation on the latest episode of Qué estás leyendo. The discussion, available in video format, delved into the complexities of the current historical era and Lijtmaer's unique literary voice.
Lijtmaer, known for her work on Ofendiditos and the popular podcast Deforme semanal alongside Isa Calderón, offered a sharp analysis of the times we are living through. The interview provided a platform to explore her perspective on societal shifts and the role of literature in capturing the zeitgeist.
The Historical Displacement
At the heart of the interview was Lijtmaer's diagnosis of the present. She described the current era as one of profound historical displacement. This concept frames the conversation around a disconnect between our lived reality and the political structures we inhabit.
“Vivimos en un desfase. Hemos pasado ya la democracia, pero seguimos como si aún viviéramos en ella.”
This observation suggests a critical juncture in history where old frameworks no longer fit new realities. The author posits that while the era of traditional democracy has technically concluded, the collective mindset and daily operations have not yet caught up to this transition.
"“Vivimos en un desfase. Hemos pasado ya la democracia, pero seguimos como si aún viviéramos en ella.”"
— Lucía Lijtmaer, Author and Podcaster
Literature in the Gap
Beyond the sociopolitical analysis, the discussion turned to Lijtmaer's own creative output. She spoke about her approach to writing, emphasizing a commitment to a style that feels uncomfortable or out of place. Her literature does not seek to settle into a comfortable narrative but rather to reflect the friction of the current moment.
Lijtmaer's work, including titles like Cauterio, often engages directly with contemporary tensions. By describing her work as desencajada (disjointed or out of joint), she aligns her literary form with her historical analysis. The writing mirrors the very misalignment she observes in the world around us.
The Voice of Deforme Semanal
The interview also highlighted Lijtmaer's role as a prominent voice in Spanish-language media. As a co-host of Deforme semanal, she has established a reputation for sharp cultural commentary. This podcast, shared with Isa Calderón, serves as another avenue for exploring the deformation of current events.
Her appearance on Qué estás leyendo connects her literary endeavors with her broader media presence. It illustrates a consistent thematic thread across her projects: examining the distortions and shifts in modern society.
A Dialogue on Culture
The format of Qué estás leyendo, a podcast dedicated to books and literature, provided a specific context for this exchange. Host Berna González Harbour facilitated a dialogue that bridged the gap between literary criticism and cultural observation.
The episode underscores the publication's role in hosting conversations that go beyond simple book reviews. By featuring voices like Lijtmaer, the platform engages with the broader implications of literature in shaping and reflecting public discourse.
Key Takeaways
The conversation with Lucía Lijtmaer offers a snapshot of contemporary intellectual thought in Spain. It highlights a growing sentiment of living in a transitional phase where historical markers no longer align with daily experience.
Her perspective serves as a reminder that literature and media are vital tools for navigating these complex shifts. By articulating the feeling of being 'out of joint,' Lijtmaer gives voice to a shared sense of dislocation in the modern world.
