Quick Summary
- 1Jesús Herrera, 38, from Linares, Spain, has been appointed as the new Artistic Director of the London Philharmonic Orchestra.
- 2His musical journey began unexpectedly with a gift from a minicadena and led him to study with world-renowned pianists.
- 3Herrera's vision for the orchestra focuses on expanding the concert experience and reducing the distance between performers and the public.
- 4A key pillar of his new season is raising awareness about climate change through music.
A New Conductor for London
The world of classical music is watching as a new force takes the stage in the United Kingdom's capital. Jesús Herrera, a 38-year-old cultural manager from Linares, Spain, has stepped into the prestigious role of Artistic Director at the London Philharmonic Orchestra. His appointment marks a significant shift for the historic ensemble, signaling a fresh approach to one of the most revered institutions in the music world.
Herrera's ascent to this position is not just a career milestone; it represents the culmination of a lifelong passion for music that began in the most unexpected of ways. His vision is clear and ambitious: to transform the traditional concert hall experience into something more dynamic, inclusive, and relevant to contemporary society. As he takes the reins, the orchestra prepares for a season defined by innovation and a renewed connection with its audience.
An Unlikely Beginning 🎶
Herrera's path to the pinnacle of classical music administration was anything but conventional. Growing up in Linares, a city in Spain's Andalusia region, his home was not filled with symphonies. His first encounter with the great composers was a stroke of serendipity. "The first time that Jesús Herrera knew of the existence of Mozart and Beethoven was through a record that came as a gift with a minicadena," a pivotal moment that ignited a profound musical journey.
Despite this unconventional start, his dedication was immediate and intense. He recalls,
"In my house, classical music was not listened to, but somehow I managed to get them to sign me up for the conservatory."
This early determination laid the foundation for a remarkable education. Herrera took his piano lessons so seriously that his talent led him to study under two of the instrument's living legends: Alicia de Larrocha and Aldo Ciccolini. This rigorous training provided him with a deep, technical understanding of performance that would later inform his curatorial perspective.
"In my house, classical music was not listened to, but somehow I managed to get them to sign me up for the conservatory."— Jesús Herrera, Artistic Director
From Paris to the Podium
While his roots are in Spain, a crucial part of Herrera's development occurred in Paris. It was there, during his time in a residence, that his organizational talents began to surface. He started arranging concerts for his fellow residents, a small-scale endeavor that revealed a hidden talent for production and audience engagement. This grassroots experience was more than a hobby; it was a practical education in the art of bringing music to people.
The funds he raised from these intimate performances were not spent frivolously. Instead, he reinvested them into his own artistic growth, funding masterclasses with the world's finest professors. It was during this period that a critical realization dawned on him. He observed the landscape of classical music and concluded:
"There are many soloists, but outside of the stage, fresh ideas are missing."
This insight became his guiding principle, shifting his focus from a potential career as a performer to one as a visionary gestor cultural—a cultural manager capable of shaping the artistic landscape from behind the scenes.
A Vision for Modern Music 🌍
Now in his first season as Artistic Director, Herrera is translating his philosophy into action. His agenda for the London Philharmonic is built on two core pillars: accessibility and relevance. He is determined to amplify the concert experience and actively reduce the distance between the orchestra and its public. This means rethinking everything from programming to staging to create a more immersive and welcoming environment for both seasoned patrons and new listeners.
Beyond audience engagement, Herrera is also committed to addressing pressing global issues. A key component of his inaugural season is a focus on environmental consciousness. By leveraging the power of orchestral music, he plans to conscientize audiences about climate change, proving that a concert hall can be a space for both sublime artistic expression and meaningful social dialogue. This forward-thinking approach aims to ensure the orchestra remains a vital cultural institution for decades to come.
Key Takeaways
Jesús Herrera's appointment represents a new chapter for the London Philharmonic, driven by a unique blend of deep musical training and a modern, outward-looking perspective. His journey from a small Spanish town to one of the world's most influential musical posts is a testament to his vision and determination.
- From Linares to London: A Spanish cultural manager has taken a top position at a world-renowned British orchestra.
- Performer to Producer: His background as a pianist, trained by legends, gives him a unique insight into the needs of musicians.
- Experience is Key: Herrera's primary goal is to break down barriers between the stage and the seats.
- Music with a Message: His programming will actively engage with contemporary challenges like climate change.
"There are many soloists, but outside of the stage, fresh ideas are missing."— Jesús Herrera, Artistic Director
Frequently Asked Questions
Jesús Herrera is a 38-year-old Spanish cultural manager from Linares who has recently been appointed as the Artistic Director of the London Philharmonic Orchestra. He has a background as a pianist, having studied with renowned figures like Alicia de Larrocha.
Herrera aims to fundamentally change the concert experience by making it more accessible and engaging for the public. His plans include reducing the physical and emotional distance between the audience and the orchestra, and integrating contemporary issues like climate change into the programming.
His journey started by chance when he discovered Mozart and Beethoven through a record that came as a gift with a minicadena. Despite a non-musical household, he pursued the piano with such dedication that he eventually studied under some of the most influential piano teachers of his generation.










